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Saturday, December 29, 2018

The Predator 2018 * 1/2 Stars

The PredatorDirector: Shane Black
Year: 2018
Rated R
Rating: * 1/2 Stars
Cast: Olivia Munn, Boyd Holbrook, Jacob Tremblay

Some government captives, an autistic kid, and a biologist try to defeat a couple of Predators who specialize in good old slice and dice dispatching. Body parts fly, bullets careen, blood oozes, and humans even kill each other at will in 2018's The Predator (my latest review).

In truth, I thought there would be only one of these snaggle-toothed caricatures involved (hence the conventional title). I digress because The Predator has more than one Predator and even a couple of smelly Predator canines to boot. Like Arnold Schwarzenegger said in 1987, these are some "ugly motherf*ckers".

Image result for the predator 2018 movie scenesTouted as number four in the Predator film series, harboring the same style film score, and coming off as the least self-serious, "Predator" is gory, B-movie kitsch that will have you rooting for the actual Predators as opposed to the irksome buffoons trying to take them down (that can't be good). As a side persona, Thomas Jane plays "Predator's" kooky Marine veteran with cringe-worthy Tourette syndrome. Man what was he thinking.

With "Predator", director Shane Black bucks integrity and readily goes on paid holiday. He creates violent, grindhouse overtones while letting his troupers spew some of the most gawky one-liners in the history of cinema. Compared to the first three Predator entries (Predator, Predator 2, and 2010's Predators), Black's production values here are weaker, his flick is too flippant, and his special effects seem shoddy at best. If not for The Predator being associated with the long-standing Predator name, this thing would probably find itself slotted into the direct-to-video bin.

Image result for the predator 2018 movie scenesAll in all, 2018's The Predator is probably one of the most erroneous sequels ever made. You know the movie feels cheesy when the actors seem overly excited just to be firing automatic weapons for the first time (at least it appeared that way). You also know that The Predator is a little misguided when an elementary school sign in one scene unintentionally reads "STDS" (oops). Finally, you know things are bad when certain trigger-happy characters look so much alike you can't tell the gov agent antagonists from the soldiering protagonists. Bottom line: On the wings of the saying "to catch a predator", I say you avoid catching this Predator at all costs. Rating: 1 and a half stars.

Written by Jesse Burleson

Wednesday, December 26, 2018

Vice 2018 * * * Stars

ViceDirector: Adam McKay
Year: 2018
Rated R
Rating: * * * Stars
Cast: Christian Bale, Amy Adams, Sam Rockwell

"I want you to be my VP. I want you. You're my vice". So quips Sam Rockwell's barbecue-noshing president who's reduced to a non-radar blimp in 2018's Vice. Yeah, it's my latest review.

Covering about forty years in the life and times of ex-vice president Dick Cheney, Vice vies with the Bush administration's take in 2008's W. and gives it a little more pizzazz (ironic seeing that a certain controversial helmer directed W.). In veracity, I had been readily waiting to see Vice on a traditional Christmas Day. Safe to say I wasn't disappointed.

Image result for vice 2018 movie scenesReleased at 132 minutes with its narrator as veritable heart transplant donor and its end credits coming in rather prematurely (ha-ha we get it, slick Dick wasn't quite done with his anti-terrorize-r career yet), Vice gives Dick Cheney impressionist Christian Bale another chance to be his chameleon self. His method acting is in the stylings of Robert De Niro while his weight has fluctuated over the years like Oprah. With Vice, Christian becomes so unrecognizable and goes so far down the rabbit hole, you forget he's even in the darn flick. Put Bale's movie posters of 2004's The Machinist and The Fighter next to his yellowed poster for Vice. Come on, I dare you.

Anyway, Vice has out of the box film-making, an uber-skimmed narrative, and a need to sometimes feel like a political, bullet point presentation (don't worry, it's still all good). The pic also announces director Adam McKay as the hottest thing going in Hollywood. Heck, if you let him grab you by the lapels and sweep you into his radical vision (without conventional judgement), Adam's Vice might just "entice" you.

Image result for vice 2018 movie scenesMcKay as the brainy lovechild of early David O. Russell and 90's Oliver Stone, breaks a lot of cinematic rules here. He knows it. You know it. But hey, he doesn't really care. McKay infuses Vice with freeze frames, archive footage, reverie elements, bucked humor, and splashy editing. Granted, he sometimes wanes focus and skips the information superhighway (unlike in The Big Short) by showing more of the Chief of Staff positions Cheney held as opposed to what he actually did (this is only in the first hour or so). Still, Vice is commendable, outre oeuvre from Adam McKay. And it doesn't hurt that he gets great supporting work from Amy Adams, Tyler Perry, and Steve Carell (they play Lynne Cheney, Colin Powell, and Donald Rumsfeld respectively). Not as hate-filled or dour as some critics have rendered it to be, Vice might yield as one of this year's best. It gets a strong 3 star rating.

Written by Jesse Burleson

Saturday, December 22, 2018

Ride 2018 * * * Stars

RideDirector: Jeremy Ungar
Year: 2018
Rated NR
Rating: * * * Stars
Cast: Bella Thorne, Jessie Usher, Will Brill

An Uber driver named James who's also a striving actor, picks up two passengers. One is an attractive girl he fancies and the other is a screw loose killer out on a grandstanding power trip. Later on, these disparate strangers all wind up in the same car together with chaos ensuing. That's the gist of 2018's Ride, my latest review. In truth, I became extremely enthusiastic about Ride because it did affect me (especially the pic's first and second act). After seeing it, you yourself might think twice about pursuing a career in peer-to-peer, road-sharing.

Released at a running time of 79 minutes when all you really want is more cinematic cowbell, Ride is like an independent film version of Collateral coupled with pop jams akin to last year's Baby Driver (look out for the .44 Magnum, Taxi Driver reference as well). With Ride, rookie director Jeremy Ungar concocts a seething little flick that feels dangerous and visibly chancy from the opening frame. He careens with long takes and effectively uses the darkened, silhouetted streets of LA as his swallowing backdrop. Kudos also goes out to Austrian Paul Haslinger for his contribution to Ride's brilliantly numbing, techno soundtrack.

Image result for ride 2018 movie scenesSo yeah, Ride's villain Bruno (played with gusto by Will Brill) doesn't have a lot of motive or reason for being such a souped-up whack job. And yes, Ride's abrupt coda, spur, and close-packed editing leaves you with a few more questions than answers. Still, this movie has the performances, pacing, and macabre to sort of hit you in the gut. Ride despite being just a snippet of thriller/drama greatness, still gets your pulse racing (no pun intended). Oh and you'll never hear R. Kelly's "Ignition (Remix)" the same way in the near future (again no pun intended). My rating: 3 stars.

Written by Jesse Burleson

A Simple Favor 2018 * * * Stars

A Simple FavorDirector: Paul Feig
Year: 2018
Rated R
Rating: * * * Stars
Cast: Anna Kendrick, Blake Lively, Henry Golding

Stephanie Smothers as a widowed mom living in Connecticut, befriends a married mom named Emily Nelson. Emily has a nice house, a smarmy attitude, a love of alcohol, and a checkered past (as does Stephanie). When Stephanie decides to watch Emily's kid as a favor, Emily goes missing. Stephanie then becomes mousy and flamboyant detective. That's the beginning blueprint of A Simple Favor and it's my latest review. In all honesty, I thought "Favor" was strictly gonna be a spellbinding thriller (trailers do that sometimes). I didn't know there would be some out of place humor, some snobbery, some tongue-in-cheek, and some violent slapstick thrown in.

Released at just under two hours with guessing game remnants and mounds of twists in tote, A Simple Favor is satiric, blackly comedic, and single white female-d. With the novel-based "Favor", funnyman director Paul Feig shows us a dark side we thought he never had. He just does a better job of hiding it that's all (hence one of the lines in the movie). Paul's direction here isn't any more flashy or conspicuous. He just goes rogue and bends his curiosity for genres sake (viewers of Bridesmaids, Spy, and the rebooted Ghostbusters are gonna be thrown for a loop).

Image result for a simple favor movie scenesIn A Simple Favor, Feig disregards regulars Melissa McCarthy, Ben Falcone, and Rose Byrne this time around. He instead goes with Anna Kendrick (as Stephanie) and Blake Lively (Emily) as mano-a-mano, female leads. It almost feels like perfect casting. Feig also saddles "Favor" with a sort of Mexican standoff ending and a sense of upsetting malaise. The dialogue is F-bombed (and spit-fired) and the whodunit factor keeps you afloat at least until the 90-minute mark.

Bottom line: A Simple Favor is a weird spin, a manipulative noir in broad daylight, and a voyeuristic look at mommy-and-me ilk (you can even add cutesy vlogging as well). I liked it just enough. Rating: 3 stars.

Written by Jesse Burleson

Friday, December 14, 2018

The Mule 2018 * * * Stars

The MuleDirector: Clint Eastwood
Year: 2018
Rated R
Rating: * * * Stars
Cast: Clint Eastwood, Bradley Cooper, Dianne Wiest

Earl Stone (played by Clint Eastwood) is an expert in horticulture. He also neglects his family from time to time and revels in inept, carpool karaoke. When Earl's plant business goes sour and he finds himself almost broke and destitute, crusty Earl decides to become a drug courier with basically one phone call. That's the rub of 2018's The Mule and yup, it's my latest review.

Released in the same year as Eastwood's last film (The 15:17 to Paris), "Mule" is a step up from "Paris". That's probably because Clint decided to take his time more and craft something that doesn't feel like it was rushed into theaters. Oh and did I mention Eastwood got some real actors on board this time?

Image result for the mule 2018 movie scenesSo yeah, Clint's 90-year-old character in "Mule" gets with women who are more than half his age (it's creepy yet amusing at the same time). And yes, "Mule's" true story adaptation while unvarnished, still feels a little far-fetched. Oh well. Over the span of six decades, Eastwood's ability as a legendary trouper and director has rarely lost the ability to entertain. Sit back and go ahead. He'll probably "make your day" (ha-ha).

Produced by Eastwood (why not) and featuring his daughter Alison in a visibly underwritten role, The Mule gives Clint a lead stint that is almost perfect for him. He's like that brittle old-timer who doesn't know any better when spewing racial epithets. Remember Eastwood's Walt Kowalski from 2008's Gran Torino and his grandpa Gus from Trouble with the Curve? Well now imagine a sort of friendlier version of those personas.

Anyway, "Mule" is a streamlined, road trip flick that contains plenty of dope lingo and plenty of tattooed, gun-toting machismo. It will even make you laugh from time to time (some of the humor is actually unintentional). Eastwood's direction as always, is smooth and efficient here even if certain spots drag. Along with himself, Clint also gets good supporting work from Bradley Cooper and Michael Pena (they play DEA agents who are hot on the heels of Earl Stone).

Image result for the mule 2018 movie scenesBottom line: The Mule is strictly Eastwood's show being that every other dramatis personae is either undeveloped or void of a real backstory (that's probably because "squint" Clint is in nearly every frame). I'm still going with a recommendation though because this "Mule" despite certain flaws, has shades of being a minor "jewel". I wouldn't dare call Clint Eastwood Clint "Ego-wood". Natch. My rating: 3 stars.

Written by Jesse Burleson

Wednesday, December 12, 2018

The Equalizer 2 2018 * * * Stars

The Equalizer 2Director: Antoine Fuqua
Year: 2018
Rated R
Rating: * * * Stars
Cast: Denzel Washington, Pedro Pascal, Melissa Leo

Released about four years after 2014's The Equalizer, The Equalizer 2 is at least 10-12 minutes shorter in length. You can plainly tell. "2" also feels readily like an outlying sequel and at the same, has almost no connection to the first film. Don't worry though. "2" plants Denzel Washington as its reliable, one man army ringer. He's probably my favorite actor and might be the coolest, most badass dude that ever lived. "I'm gonna kill each and every one of you and the only disappointment is that I only get to do it once." Ah Denzel, you slay me as Robert McCall bro. You are a beast!

Produced by Washington himself and being the fourth collaboration between him and director Antoine Fuqua, The Equalizer 2 again pits Denzel as a 60-plus-year-old, anti-hero juggernaut (Liam and Mel rank a close second). As a film, "2" initially comes off as slightly diluted, slightly globetrotting, and mostly slow-burning. Then at the hour and fifteen minute mark, Fuqua puts the pieces together making The Equalizer 2 a climatic and suspenseful revelation (check out "2's" cutthroat, final twenty minutes in the midst of a hurricane). Antoine has always been the slickest and most darkest of action firework helmers. His style of a modern day Western here coupled with remorseless soldiering is all the better for it.

Image result for the equalizer 2 movie scenesNow in the first Equalizer, Denzel's McCall mysteriously works at a hardware store while trying to avenge the mistreatment of a teenager brutally owned by Russian mobsters. In The Equalizer 2, McCall mysteriously works as a Lyft driver while trying to avenge the death of his best friend and colleague, Mrs. Susan Plummer (played by the chameleon-like Melissa Leo). In hindsight, "2" is not as brutally violent or candidly exhausting as the original. However, the flick at times seems more ominous, more lustrous, and truly more revealing. With folded tea bag, hot water, iron fist, and glaring eye at his disposition, Washington's character is again the Jason Voorhees of savage dispatchers. He's gliding, stealth, and surgical in his bone-cracking gambits. The galvanizing Equalizer 2 succeeds because of him and even succeeds a little bit on its own. My rating: 3 stars.

Written by Jesse Burleson

Saturday, December 8, 2018

Speed Kills 2018 * * Stars

Speed KillsDirector: Jodi Scurfield
Year: 2018
Rated R
Rating: * * Stars
Cast: John Travolta, Katheryn Winnick, James Remar

Released in limited fashion via November of 2018 and named after its fifth production company (Speed Kills Production, naturally), Speed Kills seems like a fitting title. Fitting for its star John Travolta that is. John's waxy, self-tan character loves his fast boats, loves his fast woman, loves his fast cash, and well, you know the rest. "Kills" is inspired by a true story but sorta feels spoofed and hard pressed to do any justice. Oh well. This rise and fall, American dreamed film is not as horrible as you might think.

Image result for speed kills 2018 movie scenesSaddled with a running time of 102 minutes that could've been stretched out to two-plus hours (gee I never thought I'd say that), Speed Kills has a murky storytelling arc, a seemingly low budget, stark production values, and pivotal scenes that are cut rather quickly. With a timeline spanning about 25 years, "Kills" is like a condensed, motorboat version of Goodfellas and Blow. The presence of actor Jordi Molla only enhanced my thought-out comparison.

Directed by a first-timer (the unknown Jodi Scurfield), containing random freeze-frames, and featuring a cameo by Tom Sizemore that shows he's aged about 9,000 years, Speed Kills chronicles one Ben Aronoff (played by John "I just came from the set of Gotti" Travolta). Aronoff is a speedboat racing champion who has made millions not only racing boats but building them as well. Mysteriously and without much explanation, Ben is also a bad husband and a credulous drug trafficker that's unwillingly connected to the Mob.

Image result for speed kills 2018 movie scenesIn retrospect, "Kills" has a bunch of known troupers that fade in and out (Jennifer Esposito, Matthew Modine as George Bush, Kellan Lutz, and James Remar). They do what they can with sparingly undeveloped parts. As for Travolta, well he's not bad here despite almost devoting his caked, makeup presence to self-parody. Bottom line: Speed Kills is entertaining, novel, and absorbing in spots. It uses its Mafia violence effectively (when needed) and contains a happy-go-lucky, 60's pop soundtrack. Still, "Kills" with its direct-to-video feel and shortcut racing sequences as split-screened, archived hooey, comes off as a little cheesy and a little thin. If I had to see it again, I wouldn't have a whole lot of need for "Speed". Rating: 2 stars.

Written by Jesse Burleson

Wednesday, December 5, 2018

Reprisal 2018 * * 1/2 Stars

ReprisalDirector: Brian A. Miller
Year: 2018
Rated R
Rating: * * 1/2 Stars
Cast: Bruce Willis, Frank Grillo, Jonathon Schaech

2018's Reprisal is my latest review. It was released in late August and not necessarily in theaters. If you ask me, that's a bad and unfortunate combination.

So OK, Reprisal's concluding outcome is droll and the whole thing in general feels like silly, B-movie trope. Still, this is probably the best work helmer Brian A. Miller has ever done (I guess he's growing in one genre). Remember Vice and his 2014 vehicle The Prince? Yeah it's a step up.

Image result for reprisal movie scenesReprisal contains a weighty soundtrack, neutered FBI Protocol, minimal production values, thunderous sounds of hailed carbines, and a subdued Bruce Willis (that's Brian A's mysterious, go-to muse). Yup, "it's Miller time!" again. In truth, If you like slick and oily direction coupled with Michael Bay-like cuts and fast-rearing flashbacks, Reprisal is your ticket. And if you like your films morbidly violent, street detailed, and right around the 90-minute mark, Reprisal might revive your Redbox renegade.

Using Cincinnati, Ohio as its entire locale, distributed by five production companies (that's normal for this kind of flick), and having the same, obligatory Bruce Wills movie poster (also normal for this kind of flick), Reprisal involves bank manager Jacob (played by Frank Grillo). Jacob is a family man whose financial institution gets robbed in broad daylight. After one of his co-workers is murdered in the process, Jacob teams up with an ex-cop (James played by Willis) to track down and bring to justice, the evil one man army. Jonathon Schaech plays said one man army as if the superpowers of John Matrix, Rambo, and Paul Kersey are readily infusing him. What nonsense and implausibility.

Image result for reprisal 2018 movie scenesAll in all, Reprisal is just another one word movie title (Marauders, Extraction, Extortion, Arsenal, etc.). It also feels like just another Wills paycheck, another ploy to keep the direct-to-video train rolling, and an excuse to roll out streamlined gunplay as stylistic mannerism. What's different this time, is that Reprisal's swift pace feels a little more justified and the compelling factor is a tad more evident. I'm going with a rating of 2 and a half stars.

Written by Jesse Burleson