
Spilt Milk * * * 1/2 Stars
Collaborators: Ben Vasquez, Rosie Biehl, Tanner Cipriano

Respectfully, Tony * * * Stars
Collaborators: John Haley and Julia Szromba
-Respectfully, Tony is a somber yet well done documentary. Its subject invariably hurts inside and you can see it. However, "Tony" sort of ends too abruptly. I was pulled into the story of a Georgia man who went from being on death row to getting paroled after 39 years in the joint. Sadly, I just wanted more insight from it all. Of note: The town that Tony currently inhabits (Canton, GA), is a place that I worked and lived in over 15 years ago. It hasn't changed a bit.
Hive * * * Stars
Collaborators: Ryan Taylor, Erin Lattimer, John McDonough, Ryan Leen
-Hive is wholly original and at the same time, echoes films that have a dystopian and blurred, social media nature. This is a dense, sterile, and modern short with a brilliant musical score (by Ryan Taylor) and a plot assertion that it's wrong to actually talk to people. I got high on Hive's imagery and said to myself, "this is what a director like Andrew Niccol, James Ponsoldt, or Wally Pfister would have done". So yeah, let's just call Hive a combo of Gattaca meets The Circle meets Transcendence. That sounds about right.
Sam * * * 1/2 Stars
Collaborator: Audrey Grewe
-Sam is the ultimate success story. It's about an ND student named Sam Grewe. Grewe loses his leg to cancer and then three years later, competes in international high jump competitions for medals. Sam which is filmed by Grewe's sister (Audrey), adds archive footage, an intuitive timeline for Grewe's handicapped metamorphosis, and some light humor. Sam Grewe's ability to laugh and find happiness in his disability makes Sam the docu a triumph. It's this year's best entry at the 29th Annual Notre Dame Student Film Festival.
Breaking the Cycle * * * Stars
Collaborators: Indi Jackson, Vincent Augusto


Collaborators: Moira Hamilton, Elizabeth Hynes, Maddie Landon, John Salazar, Ryan Taylor
-As of Now represents the best ensemble acting of any entry at this year's festival. Tightly edited with a mixture of dimmed flashbacks and present day scenes, "Now" deals with the notion of physical and sexual abuse. Everything culminates at a Title IX hearing via a small college (St. Agnes University). A lot of short films at ND film fests seem to deal with the uncomfortable themes just mentioned. As of Now rings truer and feels more absorbing than almost all of said films.
Written by Jesse Burleson
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