Director: Michael Chaves
Year: 2019
Rated R
Rating: * 1/2 Stars
Cast: Linda Cardellini, Patricia Velasquez, Sean Patrick Thomas
The setting is 1973 Los Angeles. A social worker and her two kids are being terrorized by a dead woman in a vale. Said dead woman murdered her own children way back in 1673 Mexico. That's the layout of the silly, doltish, and bland, The Curse of La Llorona (my latest review).
Starring Linda Cardellini and produced by James Wan, "Llorona" is yet another horror endeavor that relies on obviousness and a plethora of jump scares. Heck, there's enough of these scares here to fill five movies. We're talking "boo" scary and that's not really scary. Despite being stylish, a la mode, and well cast, everything on screen is about as frightening and/or traumatizing as a dead ant.
The Curse of La Llorona is directed by future Conjuring helmer, Michael Chaves. His flick is littered with supernatural mumbo jumbo, cut and dried plotting, and some interesting camera slants (I haven't seen the Dutch angle in a while). Within "Llorona", he fails to give any audience member substantial nightmares as they exit the theater. Mikey probably should have consulted guys like William Friedkin, Sam Raimi, or John Carpenter before shooting.
And yeah, let's talk about "Llorona's" main antagonist. You know, La Llorona herself ("The Weeping Woman"). She is played by Marisol Ramirez and her actions are totally repetitive (especially during the pic's prolonged conclusion). She screams, she's sneaky, and she annoys the viewer with every tired jolt. The demon in The Exorcist makes her look like a shy, doting school teacher in comparison.
All in all, The Curse of La Llorona is unoriginal, formulaic, and far from a more superior 70's style of fright fest film-making (I miss the zoom shots and the elongated shots from back in the day). Yup, "Llorona" is the lather, rinse, repeat of trepidation fare. Rating: 1 and a half stars.
Written by Jesse Burleson
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