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Wednesday, September 2, 2020

Blood Quantum 2019 * * * Stars

Blood Quantum (2019) - IMDb

BLOOD QUANTUM IS "BLOODY" BLOODY

"Did you get bit?" Bit by a stumbling zombie that is. Zombies invade a random, early 80's Native Indian reservation in 2019's Blood Quantum (my latest review). These witchcraft-ed creatures even take the form of gutted fish and husky dogs.

Anyway, Blood Quantum certainly earns its title because there are buckets of red dye corn syrup flowing throughout. Shot in dark hues, built up slowly, and featuring a musical score that seems straight out of a John Carpenter flick, Blood Quantum feels cut from original cloth despite being yet another afterthought, corpse endeavor.

Now we all know that zombie movies have been done to death and completely brain fed (no puns intended). Blood Quantum concentrates a lot more on its downtrodden characters, family-oriented dramatic shifts, and layered plot. That makes it revivifying and Judgement Day recommendable. 

Cerebral, gory, grave, and briefly time-lined, Blood Quantum is for all intensive purposes, a thinking person's zombie vehicle. It's also like an art house, antithesis version of say, Zombieland and/or Shaun of the Dead. Sorry guys, Woody Harrelson and Jesse Eisenberg ain't around for some apocalyptic comic relief. Oh and Simon Pegg's deadpan goofiness needn't apply here either.    

Directed by a dude that composes his own music (Canadian Jeff Barnaby), reminiscent of an undead Red Dawn, and filmed in Listuguj, Quebec, Blood Quantum involves betrayal, beheaded death, and the loss of everyday, law and order normalcy. 

Helmer Barnaby breathes some fresh air into "the walking dead" kaleidoscope in regards to Blood Quantum. With some rack focusing, some overhead shots, some cartoon imagery, and lots of drenched, blood-soaked likenesses, he's as confident as any filmmaker in the last ten years. He'd rather punch you in the cinematic mouth than play it safe. Bottom line: There will be "blood". Oh yes, there will be "blood". Rating: 3 stars. 

Written by Jesse Burleson

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