film reel image

film reel image

Friday, September 27, 2024

Transformers One 2024 * * * Stars

"ONE SHALL STAND, ONE SHALL FALL!"

Transformers One is a prequel to the prequel to the prequel to 2007's Transformers (that's a lot of prequels). Heck, you get to find out how Optimus Prime became Optimus Prime and Megatron became well, Megatron. You also get a taste of how three dimensional-y Industrial Light & Magic can stir you. Finally, you realize that Cybertron riffed its look off of Blade Runner, the planet Coruscant, and um, The Fifth Element. "Autobots, roll out". Literally.

Transformers One is voiced by Brian Tyree Henry, Chris Hemsworth, and Scarlett Johansson. That means no Mark Wahlberg, no Shia LaBeouf, and no Josh Duhamel this time around (how refreshing). "One" is also directed by 2nd-timer Josh Cooley, a dude who fashions something that seems midway between live-animated action, a shooter video game, and well, live action. I mean throw out the Anaglyphs cause you might not need them for "One" is pure, canvased eye candy. 

That's not all my Hasbro-loving friends. Name a battle, any battle in any Transformers flick and Transformers One will match it frame by frame. Just add the aspect of Dystopia and heightened, visual reality and "One" is unlike any Transformers vehicle you've ever laid eyes upon. I mean kids will love its cartoon-like humor, its Saturday morning anime feel, and its Tom and Jerry-inspired ferocity. Adults, well they'll be treated to an actual story and not some disjointed, 165-minute blot with Kelsey Grammer playing the rogue heavy ("One's" running time is a breezy hour-and-a-half-plus). 

Note to Transformers enthusiasts (like myself): don't go into Transformers One expecting it to reinvent the wheel via every previous installment dating back 17 years ago. Just think of "One" as a new genre unto itself, as the film feels like it's unintentionally pulling off the aspect of interpolated rotoscope. You know, animators tracing over original footage silly! Mellin "transform". 

Written by Jesse Burleson

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