Year: 1973
Rating: R
Rating: * * * 1/2 stars
Cast: Robert De Niro, Harvey Keitel, Amy Robinson
Mean Streets is
Martin Scorsese's first real foray into his bravado directorial style for years
to come. This film is a very personal, very insightful look at what he might of
went through as a young man growing up in New
York City 's seedy district of Little Italy.
There's a moderate mob element to the proceedings and an intense character
study of Harvey Keitel's character Charlie, a man who has to choose between
looking out for his troubled friend Johnny Boy (Robert De Niro who's
performance is the brilliant equivalent of a charging rhino) and moving up the
chain of small time New York Mafia. Mean
Streets is raw, somewhat improvised, and carries the feeling that the
world's greatest living director saw the future of cinema years ahead of
everybody else. The ending (which I could never reveal) is gut wrenching in
ways that I can't describe.
One of the best aspects you could pull from this pioneering
indie (it sure feels like independent filmmaking) is that all the characters
make an impression on you. They stay with you long after the credits roll.
Added to that, everything Scorsese made after Mean Streets goes back to Mean
Streets. It's the blueprint for pretty much his whole body of work. During
the first half of the film, Keitel utters the line, "twenty dollars, let's
go to da movies!" Yeah, if you go to the movies, make it Mean Streets. It's a keeper.
Written by Jesse Burleson
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